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In this post, Aaron Schuck defines sacred realism as a form of historical fiction that unites the brutal truth of the past with its underlying sacramental meaning. Rather than romanticizing or moralizing history, sacred realism reveals grace through suffering, memory, and flesh. It treats every scene as liturgy, every character as a bearer of divine tension, and every silence as potentially holy. Historical fiction, written this way, becomes not a retreat from reality but a confrontation with its deepest truths.
Historical fiction must bleed—portraying violence not as spectacle but as truth—while balancing it with humanity, as Dan Jones and Bernard Cornwell do.
Liturgical time shaped medieval life as much as food or war, setting rhythm through feasts, fasts, and saints’ days. Historical fiction that ignores this cycle writes modern time in borrowed clothes instead of the world as it truly was.
Discover how medieval Christians saw illness, filth, and frailty as vessels of grace—where suffering revealed holiness through the Incarnation.
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